Do you want to hear some good streaming screams? When you need a big dose of horror, then nothing beats the thrill of a horror TV show to satisfy those binge-watch cravings.
You can find plenty of scary series on Netflix. The Haunting of Hill House and Ash vs Evil Dead are two scary comedies, while Stranger Things is everyone’s favorite nostalgic show. Point is that you can find anything on Netflix.
However, if you like it the old-school way and like the element of surprise, you can also watch amazing content on cable. Talking about cable, it is important to have a great cable connection so that you can access some of the best channels for quality content. If available in your area, you can go with the Optimum tv packages that not only include amazing channels but also are pretty affordable.
Anyway, those in favor of streaming services can watch the following horror thrillers on Netflix.
- Raw
In order to trick your friends into seeing Julia Ducournau’s Raw, you might claim that it is the movie of this season. During the course of the film, Justine played by Garance Marillier, a simple incoming college student, comes of age; she parties and learns about herself as a young woman approaching adulthood. Children who grow up watching movies often do not realize that they are unknowingly conquering an innate and nigh-insatiable desire for raw meat. Rather than merely a wink and a nod, this movie is an in-your-face concession to Justine’s harrowing emergence.
While the film does indeed get the harshest emotions Ducournau enunciates here are not easily detectable: Fear of family legacies, female sexuality, and an uncertain sense of self-government are every bit as devastating as exposed and bloodied flesh. The film is a gorefest without apology and offers much more to think about than its effects.
- The Exorcist
Choosing The Exorcist seems like a safe pick, but you cannot find another movie on this list that’s more disturbing, more influential, or more terrifying than this one. Terror is emitted from the film-this feeling of dread emanates even before the possession sequences begin.
A segment such as the “demon face” flashes on the screen for a fraction of a second, which disorients the viewer and makes you feel that you cannot let your guard down. Your skin is invaded by it, and then it stays there for good. A possessed little girl (Linda Blair) is being saved by a priest (Jason Miller). Nevertheless, the film keeps wearing down any sense of hope the audience or characters have. Watching it is an ordeal, even after having seen it numerous times before. The author William Peter Blatty explores this later in The Exorcist III. The film is a classic in every sense of the word.
- His House
Withholding horror from a horror movie drains its energy. Although audiences can be scared in numerous ways through movies, the least that a horror film can do is scare them instead of teasing them. This is the case in Remi Weekes’ His House. The film speaks to the unavoidable, often-neglected grief of immigrant stories, much like Jonas Carpignano’s Mediterranea, which shows the dangers immigrants face on the road and at their destinations with a neorealist clarity.
- The Haunting of Hill House
Shirley Jackson’s classic novel, The Haunting of Hill House, is deftly adapted in The Haunting of Hill House with its aesthetics. It is off-screen, barely visible, or obscured by shadows when ghosts, monsters, and other things go bump in the night. As for camera movement and shot design, the series even returns to some of the first adaptation’s decisions, for developing a feeling of unease and inconsistency in the viewer.
It might be better to call it inconsistency rather than inconsistency. It seems very inconsistent to watch: you are continuously wary of being deceived, but the way the scenes are constructed often catches you unaware. As The Haunting of Hill House embraces the time needed to make us squirm instead of jump-it is amazing at making troublesome scenes and even better at allowing us to meditate on them.
- Creep
It is the directorial debut of Brice, who also directed this year’s The Overnight. Creep is a somewhat predictable, but demented little indie horror film. A psychotic recluse would like to document the life of a nave videographer who hires a nave videographer to do so. The film’s characters are explored in depth. There are outstanding performances from both men.
In Safety Not Guaranteed, Duplass can be charming and kooky, but he shines here as a deranged lunatic who haunts the protagonist every waking moment of the day. There is an awkward intensity to the early exchanges between the two. The Duplex is a well-crafted ride whose plot is clear, but whose impact rests on the chemistry between its two major leads, much like how Oscar Isaac and Domhnall Gleeson’s scenes in Ex Machina are memorable.
Conclusion
That is all for this article. We hope you enjoy the mentioned horror movies with your friends and family. If you have suggestions to add, please comment in the comment section below. We will get back with another fun article soon.
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